Admit it, Fletch gets Jon Hamm’s call like nothing has happened since Mad Men

Photo: Robert Clark/Miramax

Spoilers follow to Admit it, Fletch.

Jon Hamm’s performance in Admit it, Fletch Like a wink of knowledge to everyone who loves him like Don Draper, misses him like Don Draper, and wonders why after his careermad men It wasn’t as multi-layered as the work he did as Don Draper. It’s one of the few roles he’s played since the series’ ending of 2015 that is fully aware of his layers of attraction.

after the last Contiguous turns that can be maintained but forgotten (Top Gun: MaverickAnd the Richard JewellAnd the the report), Ham slips into sarcasm and self-deprecation In this adaptation of Gregory MacDonald’s novel about a former investigative reporter (“who has a good reputation,” he says more than once) who zigzags his way into detective work. The goofy physical comedy he showed for a very brief time 30 rocksAnd the Unbreakable Kimmy SchmidtAnd at that moment he awkwardly lifted himself up on stage to accept the lead actor in the drama series Emmys Shines Here. He pulls off exaggerated faces, jumps between giggling and dry, confused line connections, and tries the trick by jumping his way at half speed through a dancing crowd. But like Fletch, Hamm also summons the full range he’s revealed all along mad men And he acknowledges his character as Don Draper while being pressed, too.

In director Greg Mottola’s adaptation (in theaters and available for digital rental), Fletch is a bit of a womanizer, a bit of self-destructive, a bit of a goof, and a bit of an entertaining outsider — qualities that Hams Draper shared. Over the seven seasons of the AMC series, Hamm perfects the man as a sympathetic but unquestioned villain, someone whose narcissism, melancholy, and recklessness often means he ends up hurting those he cares the most. By comparison, Hamm plays Fletch as a hilarious version of the fun house from the Don: The two are remarkably similar in broad strokes thanks to Fletch’s racy, laid-back, and complacent qualities. But the actor’s desire to send Draper’s air of elegant power makes Fletch all the more foolish, well, hammer And it’s key to easy admiration for this great movie.

Photo: Robert Clark/Miramax

Admit it, Fletch It stars as the accused and follows two versions of McDonald’s previous adaptations on the big screen starring 1985’s Chevy Chase Fletch and 1989 Fletch’s life. In present-day Boston, Fletch returns home after two years of working in Europe to discover a dead woman in the house whom his new girlfriend, the Italian heiress, has hired for him. Fletch claims she doesn’t know who she is, but local police detective Monroe (Roy Wood Jr.) and his apprentice Grace (Aiden Maire) see the case open and closed and begin to get rid of Fletch. While Fletch evades them, he pursues two investigations of his own, making Hamm the omnipresent; Nothing happens in this comedy spiral without Fletch raising a mischievous eyebrow.

This allows enough time for Hamm to swing from comedy to action to drama and back again. When Fletch says, “My Italian is very good,” after he uses the word piss When he meant to say Swimming poolDraper’s misplaced certainty echoes during the introduction of the Samsonite-themed boxing ground. When he interviews a seasoned influencer (“Don’t you just hate people who are so poor? The worst”), he unites long eye roll and a full-body laugh. When he calls his girlfriend from prison, he slips into a faint voice: “What it’s not Are you dressed?” And when Monroe wonders aloud who people hate more, the cops or the reporters, Hamm wryly creeps into Fletch’s answer: “They’re cops.” In the hands of a more reckless and robber actor – say, Ryan Reynolds – these moments might have An unpleasantly complacent quality, but Hamm plays them with such pessimistic energy that he ignores him that he makes room for his fellow cast members in a relationship of give and take that makes the film feel like a true team effort.

Fletch’s combative relationship with Monroe and Grey’s allows for a shade of understated dynamism and harmony with followers of Sterling Cooper Draper Price. “Shut up and speak,” ordered an enraged Monroe, to which Fletch replied, “This is a very bewildering combination of orders.” It proceeds well against an unimpressive Contessa of Marcia Gay Harden, who ignores her potential son-in-law by pronouncing his name “meat” and casually commenting on “big rooster.” (This last line seems to be tailored to poke important to tell him rolling rock In 2013, he wished people would “dispense” with talking about the supposed size of his genitals.) And in scenes with John Slattery, he plays a former editor of Fletch’s who, of course, can’t stand his new co-workers (“They’re very respectful. No I can tell you how much I hate this place”), the pair slip into the same sweet camaraderie they lubricated as Roger and Don. The two eventually go to a bar to complain about life. What suits them more?

mad men Hamm gave many opportunities to reinvent himself, and Admit it, Fletch He achieves a similar feat with a role that stands out Hamm’s best qualities: the prickly tension he can summon in an instant, the gentle humor he uses to balance his classic goodness, and the graceful way in which he can navigate wisdom and charm. In the past, Hamm’s roles required two of these traits simultaneously – the reckless asshole in bridesmaidsthe infamous FBI agent in Bad times in El Royalthe cheerful deceitful villain in baby driver – But they rarely got close while they let Hamm play the hero. if Admit it, Fletch Had no marketing effort behind him, this character could suggest a path forward for Ham as a way to showcase his multifaceted dynamic.

Imagine Fletch Hamm in the center of a British TV series-style franchise: two to four episodes a season where Hamm can do it all in Colombo and Clouseau meets a rotating group of mad men The members are cast as guest stars. Won’t you give us this streaming service? What else does AMC+ do? In the film’s final chapter, after helping Fletch catch the killer at a country club (and before an open ending that could easily lead to… Fletch’s fortune), notes Monroe, “Only you could have slipped in a place like this and managed to blend in.” He could have talked to Hamm, who’s walking around in this movie and parodying his past as Don Draper to make a case for Fletch’s future. It’s too bad our chances of seeing them vanish as fast as Don footprints in the Hawaiian sands.

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